María Luisa Puga: A Life in Diaries (Exhibition)

María Luisa Puga: A Life in Diaries (Exhibition)

This exhibit celebrates the opening of Mexican novelist María Luisa Puga’s archives by showcasing highlights from the collection. Puga was a highly disciplined diarist and created personal journals, or cuadernos, to not only chronicle her daily life and activities, but also to developed her literary work. In capturing her dazzling approach to organization and extensive doodling habits, these diaries manifest the author’s own consciousness and provide a written record of feelings, friendships, and encounters—life’s most ephemeral moments, made permanent.

Mapping Mexican History: Territories in Dispute, Identities in Question (Exhibition)

Mapping Mexican History: Territories in Dispute, Identities in Question (Exhibition)

The exhibition focuses on three distinct moments when maps played an integral role in the transformation of Mexico and its political geography. In the sixteenth century, early colonial pictographic maps drawn by indigenous artists reflect the growth of Spanish colonial administration. In the eighteenth century, new maps of Mexico’s principal cities serve as both representations and instruments of the viceregal government’s efforts to re-order and regulate Mexican social life and public spaces. In the nineteenth century, maps are central to the military struggle for independence and the defense of contested national borders.

Embroiderers of Memories (Exhibition)

Embroiderers of Memories (Exhibition)

The exhibition highlights embroidered testimonies made by Salvadoran women exiled in the refugee camps of Honduras during the Salvadoran Civil War.

Fidel Castro Speech Database, 1959-1996 (Primary Sources)

Fidel Castro Speech Database, 1959-1996 (Primary Sources)

This collection contains full-text English translations of speeches, interviews, and press conferences issued by Fidel Castro from 1959 to 1996. These are based on the records of the Foreign Broadcast Information Service (FBIS), a U.S. government agency responsible for monitoring broadcast and print media in countries throughout the world. The Department of Research of the Radio Martí Program, part of the U.S. Information Agency, undertook the task of digitizing FBIS reports from 1959 through the end of the 1980s.

La Información Digital Collection (Primary Sources)

La Información Digital Collection (Primary Sources)

The collection contains digital surrogates of La Información, an important local newspaper published in Bluefields, Nicaragua, starting in 1917. The newspaper covered local news and society reporting, as well as national and international political events. While CIDCA’s collection of La Información is extensive, it remains incomplete, and many issues show signs of physical deterioration or damage.

Newspaper Library of the Museum of the Word and the Image (Primary Sources)

Newspaper Library of the Museum of the Word and the Image (Primary Sources)

The digital archive contains news clippings and documents compiled by Inforpress Centroamericana on the topic of Violence in Guatemala. The news stories are arranged chronologically and address the distinct types of violence prevalent in Guatemala in the years 1978 to 1982: political violence, violence generated by the internal armed conflict, and everyday violence.

Inforpress Centroamericana (Primary Sources)

Inforpress Centroamericana (Primary Sources)

The digital archive contains news clippings and documents compiled by Inforpress Centroamericana on the topic of Violence in Guatemala. The news stories are arranged chronologically and address the distinct types of violence prevalent in Guatemala in the years 1978 to 1982: political violence, violence generated by the internal armed conflict, and everyday violence.

Armed Conflict Collection (Primary Sources)

Armed Conflict Collection (Primary Sources)

The digital collection consists of political propaganda from the period of the Salvadoran armed conflict (1980-1992), produced primarily by clandestine groups and solidarity organizations, as well as the military. The posters contain artwork and photos criticizing U.S. intervention in the conflict, announcing protests, and calling attention to government atrocities.